In the landscape of contemporary independent cinema, few narratives feel as glorified—and simultaneously misleading—as that of breakout indie hits emerging from film festivals like Sundance. Take *Sorry, Baby*, for example, a black comedy written and directed by Eva Victor. Heralded as a “star is born” moment and lauded with 97% on Rotten Tomatoes, it embodies
Entertainment
The remarkable success of Trafalgar Releasing is a testament to the evolving landscape of event cinema, an industry that is redefining the way audiences engage with film and live experiences. By pushing boundaries with a record-breaking lineup of 57 event films, Trafalgar continues to carve out a niche that captivates diverse audiences, blending the worlds
In an era where cinematic spectacles are vying for attention amid a crowded market, Apple Original Films’ latest venture, the racing thriller “F1,” isn’t just another flick; it’s a high-octane gambit that resonates with the adrenaline-pumping spirit of motorsport. Starring Brad Pitt and helmed by the illustrious Joseph Kosinski, this film has already sparked intense
Broadway seems to be vibrating with renewed energy as various productions experienced a remarkable spike in box office revenue last week. The trend—perhaps heralding an unexpected turnaround in an industry hit hard by global events—has been a cause for cautious optimism among theater aficionados and stakeholders alike. While shows like *Smash*, *Floyd Collins*, and *The
The recent release of Pixar’s latest venture, *Elio*, has turned from a highly anticipated launch into a glaring example of the studio’s misalignment with audience expectations. With a dismal opening weekend revenue of just $21 million, it marked the worst box office performance in Pixar’s storied history, representing more than just a financial setback; it
Danny Boyle’s latest cinematic venture, “28 Years Later,” has not only captivated audiences but has also emerged as a staggering success with an estimated global opening weekend of $60 million. Remarkably, this revenue split is even across domestic and international markets, drawing in $30 million from each. This achievement slightly surpasses pre-weekend predictions, marking a
Sony’s latest offering, *28 Years Later*, initiated its box office journey with a preview gross exceeding $5 million, which seems promising at first glance. However, upon dissecting the initial figures, it’s critical to understand the implication of those numbers rather than succumbing to the surface allure of financial success. While this figure might insinuate a
The anticipation for the latest Superman film, ushered in by the new stewardship of DC Studios and the dynamic duo of James Gunn and Peter Safran, is undeniably electrifying. Early projections have touted an optimistic $125 million to $145 million domestic opening, painting a picture of a film poised to dominate the box office. Yet,
The concept of revisiting historical atrocities through the lens of cinema is always a double-edged sword. On one hand, it provides an opportunity to educate the masses about the past and its ramifications. On the other, it runs the risk of sensationalizing horrific events for mere entertainment. Sony Pictures Classics’ acquisition of “Nuremberg,” directed by
Documentaries have long been a medium through which audiences gain insight into the lives of public figures, and “Prime Minister” does just that while challenging conventional narratives surrounding leadership. The film, which launched with a considerable presence in AMC theaters, intricately portrays the challenges faced by former New Zealand Prime Minister Jacinda Ardern as she